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Voices

voices

 

Voices, the serene and melodic whispers that embrace the sandy beaches of Fire Island inspire deep introspection. Summoning contemplation of the souls who have graced these hallowed shores. Within life’s intricate tapestry, we uncover the profound teachings of humility and the avoidance of avarice. Though seemingly straightforward, these lessons often elude us in the respect that cannot be procured through material means; they are earned through a life well-lived, through choices and actions that speak volumes.
Inevitably, we stumble along our paths, yearning for the elusive ability to turn back the hands of time. Rectifying our mistakes with unwavering wisdom. Alas, this learning remains naught but a nostalgic notion. However, while we still traverse the realm of the living, we retain the opportunity to redeem ourselves, mend our ways, and forge a better future. It is all too easy to cast judgment upon those with pure hearts, for we, as a collective, have grown accustomed to the presence of goodness, often taking it for granted. Therefore, it becomes our duty to stand resolute and unwavering in our values and virtues, refusing to allow the insidious voices of doubt and despair to drain our spirits.
Alas, life is not a universal formula, and we must reckon with the consequences of our actions. Moreover, this painting serves as a testament to the frailty of those souls. Who relentlessly seek to drag others into the abyss of their discontent. The victims of their circumstances remain ill-equipped intermediaries, for they depart this world empty-handed in the final act.
Tragically, it has led to the downfall of approximately six hundred and forty vessels.  Ending their journey prematurely upon these very shores.
But, in the face of gales, their voices echo through the air, whispering words of reunion. As the gusts recede, their souls find solace, finding respite within the lighthouse peace.
In short, this creation, aptly titled “Voices,” is a tribute to the legions of souls who have left an indelible imprint upon the Long Island seashore. They navigated the ebb and flow of existence, forever interwoven with the vastness of the boundless ocean.
voices
 “Voices” Size 60″ x 43″ Oil on Canvas 2021
Editor credits: “Muhammad T.”
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VOICES

 

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Good and Evil

Good and Evil

On the same coin, good and evil come from different experiences. The person is brought to light by crime when the murder of his parent leaves a devastating mark on his young life. The other is forced to pay for his father’s crimes, serving time in prison. This experience made him want to fight the people who sent him there.

The turmoil and social construct of the world influence them, not for good. Governments and corporations utilize media to direct the aimless dance of youth with commercialism and division. Greed and hatred forged by the power-hungry create a societal breakdown infused with resentment and chaos.

However, some join and embrace lie and deception to perpetuate and benefit from the madness and confusion. Others will fight to bring those responsible for their crimes, of which they create a system to allow themselves to operate freely, to a natural justice where the truth reigns supreme.

But we are itching to find out who is behind that mask. Further, curiosity plays with our minds to create mystery. We perceive what they want us to see from them, which is an unclear personality that may not even be real. The painting shows both posing and glazing on the right side, but by their looks, they have found something even more significant than themselves.

It amazes me to see how people change from one moment to the next by being cynical. Seeing them degrade themselves without achieving satisfaction is exhausting. However, at the end of our lives, we take nothing with us, and our bodies will return to the ground.

Good and Evil

“Good and Evil” size 30″ x 30″  2017-23

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Writing credit Chris Taomina

 

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Chaco

chaco

 

It is not a Rivera but a Lucin; I have been developing this subject for years. This artwork delves into the universal theme of life’s fragility and the dangers we all face. It is a reflection on the human condition, reminding us of our shared vulnerability. The symbols and anecdotes that inspired this theme are rich and diverse, adding layers of meaning to the piece. The model kneels in a fetal position, portending its next step to free its soul.

A spontaneous subject goes through many ideas to become their own. Back to the concept, the bull, in exhaustion, rests its head down, waiting to stave off Chaco. At that point, the portrayed man without shoes is ready to enter heaven, a traditional symbol of purity. However, despite this, his entity is at risk. The whole scene symbolizes both the fear of the dead and the eagerness of humankind to risk survival. We are very connected to how sensitive and fragile our lives are. The excitement of feeling dead knocking behind our backs makes us feel alive, at least for a second. Hence, respect exists on the other side of us; we are ready to accept our presence. By removing our shoes, we are revering our pureness to enter the holy ground.

Considering feedback from people, some have seen the bull horns as a halo. Finally, others comment that it is evil and accept it as a part of Life.

In conclusion, Chaco encapsulates the quality of vibrant and alive. In this context, leaving behind the mortal realm.  Problems and worries of nature fade into insignificance, a reminder of the transient nature of our existence.

chaco

“Chaco” Size 24″ x 16″ Oil on Canvas 2002

CHACO

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