The Road to Pascua depicts pilgrims walking forward to a glorious and peaceful day. An allegory to one of the many missing links from Earth is a source of inspiration from the Pascua sculptures in Chile. His giant figure ceaselessly ignites our imagination. Half of their body digs into the ground. It left us wondering where it came from, leaving space for assumptions such as entities from other worlds. Others are a source of communication, and their theories continue to evolve.
The Road to Pascua sparks joy in warm colors, sparking energy within the Road and its surroundings. Standing in a mist-shaded equinox denotes another world we do not understand and is based perhaps on faith. Moreover, the symbols on their ground and tunics emulate binary language referring to technology we may not understand. A trip to Santiago recreates a narrative event that shows figures settling on the ground in our present time. Other sources used include the Crop Circle that appeared in Wilshire, United Kingdom, which completes the composition on the ground. Then, turning it backward into haloes on their faces recreates signals. In the previous painting, a couple was posing in front of the sun. Here, the main subjects are the models communicating energy waves to the sky. Signals like the symbols in Nasca convey a clear message.
In short, the Road to Pascua is a beauty surrounded by mystery. Step into it, and feel your body’s clean age begins, for there is no contamination in the air. It is where secrets are ready to unfold, but it is better to leave it alone. This is in part because anything we touch is destroy, it maybe we are afraid to, or we are not ready to see the truth.
Road to Pascua 40″ x 30′ Mix media and oil 2025
