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The Scale

Time in a Scale relates to a good friend and our good time together. We had just graduated from the School of Visual Arts and dreamed of having an exhibit in Soho, the mecca for us. Well, it was not because I never had a series of paintings that could represent me.
I met Carolina at the School of Visual Arts after graduation. She posed for me in a couple of paintings. She sits in the back on this theme, posing in despair; Latin countries were going through a dry time regarding drug lords. And the USA declared them as the first drug smugglers. I recalled her feeling shame from being of Colombian heritage, and I used to tell her not to, but it was in vain.
I meant to pose her as being in a reflective mood. But then, as I added objects around her, the painting came out sad. Moreover, the brown ground feels hostile, and nature reflects the state of danger we treat it. This is a non-living place to be. So then, she added a melancholy state of mind that bounces back and forth with the scale.
I brought her to help me at a gallery in Manhattan, where we were making copies for an Asian artist whose work was sent to the Taipei Museum in Taiwan,
However, she did not like New York’s cold weather and returned to her beloved Florida. Their parents disagreed with me living with her. So, I was the bridge for her to break their rules. In the end, we had a great time. But, then and now, it did change for good. Then, in time, we grow more vital to remember and celebrate it.
Time in a Scale
The Scale, 24″ X 18″ oil on canvas 2017
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The Scale

 

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Buddha

 

Hey, not the Dali Lama; that caught my attention. It was his shoes. In the winter, New York is too harsh to wear sandals. And does not do much for him. Nepal is far away colder than ours. It is the altitude in addition to it. But just like us, we acclimated to the weather in time.
The symbols are in the persona wearing a tunic from Tibet. The clues are in the details. It is expected to find different characters in this metropolitan area. However, what we may see is fascinating.
In the end, we find our memory positively having a retrospection. And that is the beauty of life. Something affects our minds.
Thinking in solitude, we suddenly remember a past moment in life.
In conclusion, it was exciting then and has become a meaningful epiphany.

Buddha

“Buddha” 20″ x 16″ Oil on Canvas
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The Vision

“The Vision” appeals to the psychological relationship between life and death. Moreover, it depicts colorful ghostly figures and bluish-grey death bodies. They are hanging as a reminder of the connection between both worlds. We continue to live as if they did not exist. But many of us who have lost a loved one know that our souls never dissolve into nothingness. On the contrary, our spirits continue to exist.

Symbols on this subject present a narrative story. The first figure in front of us wears an evil mask. The red color is euphoric, temperamental, mad, hungry; you name it. Either is the punisher or the savior. This refers to people who use roundabout words to hurt you later. On the other side, the flag he beholds is waving victory. This translation is about government manipulation and contradictions.

Moreover, the hanged are the victims of their neglected society. On the right side, there is a window with two dark figures. They were gazing at the people in the plaza and perhaps rejoicing in their victory.

Ultimately, the whole scene celebrates the dead as part of our life—the eternity of heaven, which, in the end, culminates in an insatiable encounter between reality and fantasy. And to conclude, in search of a new spiritual well-being feeling.

The Vision

“The Vision” Size 68″ x 50″ Oil on Canvas 1995

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