Thus, the reasoning subject shows two people inside a cave in a thinking position. The fetal position displays a relaxing and calm place.
For some couples, this is it: a withdrawal or disclosure of feelings. Turning the Life clock to amend failures is just a fantasy. We learn from our mistakes, and it makes us strong. It is a stepping stone in the path of life.
Furthermore, this position denotes a strong, independent person. Over and above that, we all have our weak side, which we could fall into easily. The idea is based on experiences called “relationships.” It came out at a point that lasted just a month. And just enough time to produce four paintings.
Moreover, there is a misunderstanding regarding the artist. Some people tend to stereotype us as dark and depressed. Nevertheless, in none of these cases, we all go through different situations where we are vulnerable. In contrast, the disclosure comes in images that release us from unsettled sentiments.
Besides, art has always been there in times of hardship. Indeed, it helps me not drown in my mind. Our thoughts trigger our personality with insecurities that do not let us grow. And we must be strong in finding an answer to overcome it.
Reasoning: in conclusion, a life pursuing knowledge is rewarding. Ultimately, creating this subject is a unique accomplishment to be proud of. Sharing it with my readers feels warm and cozy.
It is essential to explore this different aspect of art differently. The image communicates various parts of a place. Recalls memories so, of say, attract and wake up our imagination. There is much to learn from nature, and the idea is to keep our minds open. There is always something valuable we gain, and that is appreciation.
Looking at my archives, I see that this painting dates back to 1988 and still has a spontaneous moment in execution. Its simplicity inspired me to go back to new approaches. From time to time, the artist gets encased in the whole picture. Not in this case, therefore, is here to remind us of the versatility of its strokes.
Moreover, elaboration is out of the question, perspective omitted, just vague nature. Loose like a kid’s mind. No fragments, no clues, just innocent and pure. A time to project our hopes and dreams. I was looking at old masters’ artwork, such as Rembrandt’s. It reached maturity at an old age. Indeed, he loosened up, no longer restricted by academic rules. His brushstrokes were free and easy. It is understood once the art finds its freedom, it is what we call a style.
The approach that makes us part of this world. The universal voice we carry inside us asks for security to carry on in our everyday lives.
We approach and make a connection when we see an attractive person and want to know more. Coming together, we fall into the water of love. At first, it is cooling and refreshing. The emotions of love are what we feel. Over time, when it looks like it will be more than just an infatuation, the initial feelings of love change, the water gets more profound, and we will soon be in over our heads. To continue the journey, two different people must get in the same boat.
One may see this as a great thing. They must face the challenging seas together, building a life in the boat. The other may have reservations that create a wind of change, forever anchoring the ship in unchartered water and returning to the unknown.
Placing ideas taken from experience is a revelation that never amazes me. On this subject, my main objective is to portray broken relations. Along, two figures depart, not in a happy ending to an unknown voyage. Purposely cover the male with a turban to show uncertainty. The female is backward to show no emotions.
The ocean, the boat, and the sky are used as symbols to create a state of mind where the good moments of living in harmony have vanished. Our feelings could be our worst enemy but also our best friend.
Painting a subject like this helps me to bridge my emotions to a disclosure. A positive revelation that momentarily lapses in our life until we transition for good. I’m very sure we have been through the same experience, and I like to show it to you to relate to it or enjoy the view.
“Adios” size 30″ x 29″ Oil on canvas, 2001
Writing credited to “Chris Taomina and Gustavo Lucin.
