Tag: Symbols

The Tide: A Flow of Life’s Essence

Within the canvas of “The Tide,” we find a mirror on the nature of existence, where every retreat marks both an end and a fresh beginning. A  dance of life itself.

As we stand here, four years since the scourge of COVID-19 swept through our world. We remember the harsh reality it imposed. Masks were not mere accessories; they became lifelines. When even the air felt scarce. In those trying times, we lost friends, their absence haunting us. The absence of proper farewells and burials is a painful complexity. Yet, here we stand, survivors made stronger by adversity. Bracing ourselves for the uncertain tides of the future. For now, new epidemics threaten to surface.

Besides, in its ceaseless motion, the tide mirrors our existence duality. It is a torrent of emotions interwoven with the beauty of the sun casting its golden glow. It symbolizes hope, the belief in positive forces and higher beings watching over us. Indeed, we are not alone in this vast universe. But this notion often stirs jealousy, a reminder to seek protection and keep negativity at bay.

Still, Humanity’s presence is notably absent within the tide. Besides embracing an allegory for our strong hopes. It beckons introspection, posing questions about the depth of our emotions. Have we, in our relentless pursuits, eroded our connection with our essence?

Moreover, centuries of history have etched humanity’s tale in cyclical patterns. This is a moment where we strive, falter, learn, and evolve. The lessons we glean from our past determine our growth in the present.

“The Tide” proves the power of minimalist art, where simplicity expands to magnify life’s profound truths. It mirrors the vastness of our experiences. The waves, like our journey, represent the pursuit of eternal being. The canvas displays the sparkling beauty and vitality of our existence. However, it also embodies the principle that true worth is born of struggle and perseverance.

‘The Tide” Size 59″ x 48″ Oil and Mix media on canvas, 2023

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Roundabout, in the ebb and flow of existence, innocence meets its inevitable end, marking the dawn of a new chapter— a time to grow and revisit the places where you were once left behind. Hence, by embracing the unexpected challenges that lie ahead, emotions burgeon like wildflowers as closeness blooms. A profound sense of liberation sets the mind ablaze when the journey concludes, celebrating the joy of being alive.

As art has taught me, success finds a more straightforward path when fueled by passion. Balancing the pursuit of dreams with the warmth of family demands, energy, and effort. Yet, when love comes knocking again, the circle of life commences, unstoppable and unyielding. Duties and commitments intertwine, and life unfurls with a unique, unpredictable essence. No formula can dictate its course. Continuity requires mutual effort, each supporting the other; the absence of one jeopardizes the harmony of the whole.

The symbols adorning their bodies—born from the essence of the female—embrace the man, who shrouds his face in the veil of darkness. These symbols intertwine, reflecting the intertwining of ideas and perspectives, a harmonious dance of shared experiences.

Ultimately, I stand before the easel, once brimming with creative ideas but now empty of life’s essence to share. The artwork “Roundabout” serves as a poignant reminder of the ever-changing currents of existence.

As we experience this intricate tapestry, we come to cherish our connections, treasuring the joys and trials as they weave together to form the masterpiece of our lives.

“Roundabout” 24″ x 18″ Oil and Mixed Media on Canvas

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ROUNDABOUT

It is not a Rivera but a Lucin; I have been developing this subject for years. Further info it represents life dangers. It is related to human beings in general, for it concerns how fragile we are. There are many symbols and anecdotes where the idea came from and became a meaningful theme.
The name is originally from the indigenous Chaco in New Mexico, Anasazi’s descendants. Then there is another first version, called “Redemption,” which apologizes to all those poor dead souls. Further, the model kneels in a fetal position, portending its next step to free its soul.

A spontaneous subject goes through many ideas to become his own. Back to the concept, the bull, in exhaustion, rests its head down, waiting to stave Chaco. At that point, the portrayed man without shoes is ready to enter heaven, a traditional symbol of purity. However, despite this, his entity is at risk. The whole scene symbolizes fear of the dead, besides the eagerness for humankind to risk Life. We are very connected to how sensitive and fragile our Life is. The excitement of feeling dead knocking behind our backs makes us feel alive, at least for a second. Hence, respect exists on the other side of us; we are ready to accept our presage. By removing our shoes, we are revering out pureness to enter the holy ground.

On the other hand, considering feedback from people, some have seen the bull horns as a halo. Finally, others comment that it is evil and accept it as a part of Life.

In conclusion, one moment, we are here, and the other, we may disappear. Anything else does not matter anymore. Problems are gone, and from here is one step to mortality.

“Chaco” Size 24″ x 16″ Oil on Canvas 2002

CHACO

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