Categories
Blog posts

Forever

Forever display a couple in front of the sun inviting us to look at in intricated geometric lines. The floor is the stage, reflection and comfort. This is the first extended idea that started eight years ago, and his content inspired in nature. A new technique emerged, and I expanded through memories. The pale sky reflects a fossil-like fish recreating a shape like an engraving technique. The mirror effect comes from previous experimentation with glass windows. Alternate shapes we can see inside and outside through transparency. Thanks to the metallic marker I succeed in re-creating a flash effect from the front light.

Moreover, the colors are warm, with a few cool tones highlighting a point of rest. Onward, the composition resembles a binary world filled with lot of information to dig into. Likely resembling the subject’s personality and community, full of energy and ground touching. Ever last posing in front of the sun. Technically I easiest details to fade and balance composition having in mind how we perceived information.

By The same token, the psychology of choosing male and female as my subjects comes from our digital era. The constant phone camera shots bridge acceptance as part of society. Security or insecurity resilience does not approve of anybody from creating. As good as just eating food or posing in front of the sun. After all, there is only one Forever shot in our life, to caress for. From now on, anything that is in the present becomes the past. Ultimately, as long as we are contemptuous, the rest doesn’t matter.

Thank you…

Forever

Forever 40″ x 30″ Mix media 2025

Categories
Blog posts

Kites

Kites are transitioning from Earth to the sky, communication waves. It is a source of releasing our thinking into a creative mindset about expression. Each pattern has six, seven, and eight rectangular forms based on numerology. It points to symbolizing mysticism and spiritual awakening.
The red kites represent change, curiosity, freedom, and adaptability. Reaching the top beyond creates a universe of possibilities. Out there is a vast and quiet world; we long for that peace inside us, away from greed.

Green brings us back to Earth in the forest, and the cord is the connection, for it beholds our soul. It is our curiosity to unveil what’s beyond up there. But then we know our presage is short due to the space chemicals. In the chaos, we have left our institution to go with the spiritual and think of a different portal for a different life. Curiosity is strength, and control is our character. An alerting thought with penitent consequences. Still then again, we fear uncertainty, and the cycle repeats above us.

The kites nurture our souls, reaching prolonged moments that are insatiable. Running away from the cold winter, they disappear and glow in line but then loosen and wave at a time, our life. Nothing is the same. Everything changes. In the end, it does not stay permanent. It is part of our life to fluctuate from one place to another. In short, accepting it makes us receptive and allows us to make mistakes and others the same. Once learned, most transitions fluctuate, just as in this watercolor. There are a lot of kites scraping, and it presages into the unknown.

Kites

Kites 14″ x 17″ watercolor 2025

Follow our channel here

Categories
Blog posts

The Trap II

The Trap II is an image of life experiences, a time of discovery. Although, at times, painful, it reflects a good time now. Out of bad situations, sound comes out. In the trap, the bamboo wall separates two individuals by their emotions. The end of innocence is a distinct separation.  Our instincts prove that our mind advises us that it is time to leave. Easy to say, difficult to move on. Adversity turns us into our worst enemy. It glooms over us and makes us feel like we are moving nowhere. But as years pass, we heal emotionally firmly, embracing our reality.   Going back to those times is rewarding. Our souls become a shield where nothing is left of that fragile person we were.

The Trap II was born in a week of spontaneity in Florida. The bamboo wall, with its myriads of gray and blue tonalities, emerged without the need for intricate details, a testament to its creation’s raw, unfiltered nature.
Moreover, there was a palpable sense of freedom in the air, a feeling that I was charting my own course. This independence did not hinder me from bringing this subject to life.
As intricate as the pebbles on the ground may appear, I meticulously crafted them in three distinct tones: the top, a light brown; the front, a blend of brown and blue, where a reflective light dances; a shadow, of deep, grounding brown. Shapes evoke a sense of movement.
The place is in Ecuador, where I grew up, and I go there every summertime vacation. It is close to the Ocean, not exactly a place where you can swim. In short, is suitable for enjoying.

“The Trap II” Size 50″ x 35″ Oil on Canvas 1997

Follow our channel here