Roundabout, in the ebb and flow of existence, innocence meets its inevitable end, marking the dawn of a new chapter— a time to grow and revisit the places where you were once left behind. Hence, Embracing the unexpected challenges that lie ahead, emotions burgeon like wildflowers as closeness blooms. A profound sense of liberation sets the mind ablaze when the journey concludes, celebrating the joy of being alive.
As art has taught me, success finds a more straightforward path when fueled by passion. Balancing the pursuit of dreams with the warmth of family demands, energy, and unwavering effort. Yet, when love comes knocking again, the circle of life commences, unstoppable and unyielding. Duties and commitments intertwine, and life unfurls with a unique, unpredictable essence—no formula can dictate its course. Continuity requires mutual effort, each supporting the other; the absence of one jeopardizes the harmony of the whole.
Within this roundabout of life, memories play like a film reel, showing us moments of joy and turmoil. Each word echoes, leaving an indelible impression. Body language and enigmatic riddles yield answers, etching the experiences onto the canvas of life. Instincts guide us forward, the present, and unfurling new horizons.
The symbols adorning their bodies—born from the essence of the female—embrace the man, who shrouds his face in the veil of darkness. These symbols intertwine, reflecting the intertwining of ideas and perspectives, a harmonious dance of shared experiences.
Ultimately, I stand before the easel, once brimming with creative ideas, now empty of life’s essence to share. The artwork titled “Roundabout” serves as a poignant reminder of the ever-changing currents of existence—a tribute to the cycles of life, love, and growth that shape our journey.
As we go through this intricate tapestry, we come to cherish our connections, treasuring the joys and the trials as they weave together to form the masterpiece of our lives.
“Roundabout” 24″ x 18″ Oil and Mixed Media on Canvas
It is not a Rivera but a Lucin; I have been developing this subject for years. Further info it represents life dangers. It is related to human beings in general, for it concerns how fragile we are. There are many symbols and anecdotes where the idea came from and became a meaningful theme.
The name is originally from the indigenous Chaco in New Mexico, Anasazi’s descendants. Then there is another first version, called “ Redemption,” which apologizes to all those poor dead souls. Further, the model kneels in a fetal position, portending its next step to free its soul.
A spontaneous subject goes through many ideas to become his own. Back to the concept, the bull, in exhaustion, rests its head down, waiting to stave Chaco. At that point, the portrayed man without shoes is ready to enter heaven, a traditional symbol of purity. However, despite this, his entity is at risk. The whole scene symbolizes fear of the dead, besides the eagerness for humankind to risk Life. We are very connected to how sensitive and fragile our Life is. The excitement of feeling dead knocking behind our backs makes us feel alive, at least for a second. Hence, respect exists on the other side of us; we are ready to accept our presage. By removing our shoes, we are revering out pureness to enter the holy ground.
On the other hand, considering feedback from people, some have seen the bull horns as a halo. Finally, others comment that it is evil and accept it as a part of Life.
In conclusion, one moment, we are here, and the other, we may disappear. Anything else does not matter anymore. Problems are gone, and from here is one step to mortality.
Window shopping raises questions about conventionalism. From the male perspective, on the other hand, the female fits the stereotype of being available.
Moreover, the idea is that behavioral and psychological differences between the sexes have biological causes that have remained for a lifetime, and there is no winning or losing in every way.
The glass window projects one’s soul. The other images, such as the signs, are us; the words are our universe. We mirror her actions, fulfilling what we may wish to feel, think, or be adverse to for her when, in reality, it is only an assumption.
Also, window shopping explores the stereotypes from the male and female perspectives—their perspective regarding their assumptions about appearance.
The advertisement is number one on this list. From fashion magazines to home décor magazines, the woman is presented as slim and perfect.
Hence, a man must look sharp and intelligent under any circumstances. But, unfortunately, we live in a society where appearance is too much to put up. There is no right or wrong for not looking suitable to other expectations.
From a technical aspect, layers and tones recreate transparency to create a collage look. The glazing reflects backward letters on most of the model body. Notice once more that she is almost hiding behind these elements. The focal point is on her face, pointing at the sign recalling to open.
Her beauty, in contrast, is intoxicating, and we can not escape it. She is not for sale; she is just attending the store. However, boutiques in Manhattan are energetic and appealing. In the end, they induce you to buy.
In conclusion, assuming ideas creates false findings and can get us in deep trouble. It is better to let the path run its course by observing and being discreet.
“Window Shopping” Size 34″ x 34″ Oil on Canvas 2018
