Tag: Dynamic art

“After The Storm” displays a close-up of calm blue water. It is a moment of peace and hope. Natural causes are irremediable, and with so much pollution, it is not surprising that disasters must occur. Storms can cause major damage, just like tsunamis and earthquakes.

The storm in 2012 caused much damage to homeowners in the New York area. We got lucky, and our home suffered minor repairs.

I blended shapes with fuzzy patterns, marking the end of turmoil. Moreover, the blue is softened with white, conveying the feeling of a past storm through movement. A couple of bubbles here and there balance the composition. This inspiration came from Okamoto Arts, which was exhibited at Perlow Gallery. The early years of my apprenticeship influenced my technique, and I blended them according to certain events that I felt confident about. New York is a cosmopolitan area where many artists ignite the imagination.  Or so I picked up that moment of the storm in my mind in a quiet, relaxed moment.
Assimilation and adaptation are two words that are different from imitating and copying them as they are. I grabbed the other contemporaries’ concepts, and the feeling transformed into my experience. In short, there is a voice in me that pulls me to interpret what I saw through this watercolor medium.

“After The Storm” Watercolor on Paper Size 17″ x 14″ 2024

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The element boldly ventures into a fascinating realm where storytelling beautifully intertwines with harmony. Here, we focus on the very essence of matter in space. As I explore my consciousness, I visualize the universe and creatively transform it into a cube.

Moreover, in this imaginative concept, the title represents the elements found within space itself. These derived particle elements take on non-solid forms, lacking internal structure, which allows them to occupy minimal space. Remarkably, this enables them to move faster than light!

Through this exploration, I discovered a vibrant way to express the significance of the element. By releasing oil pigments mixed with turpentine, I spread them across the paper, creating an image that feels as if it has just landed—suspended gracefully in a dark expanse.

In striking contrast, the ‘element’ radiates a sense of calm confidence, a testament to the certainty that this creative process brings no harm. Its vivid strokes invite us to embrace life’s intricacies with open hearts and adventurous spirits. While we strive to shed biases and preconceived notions, we inevitably witness the beauty of things in their purest form. This artistic journey has evolved into a thoughtful reflection on simplicity.

So, where does this remarkable transformation take root? The journey began millions of years ago. Along the way, we cultivate compassion and wisdom shaped by our experiences, embracing qualities like loving-kindness, empathy, and mental peace. We grow, evolve, and weave meanings into our lives, living with purpose and genuine intent.

Ultimately, the ‘element’ transcends mere physical substance; it emerges as a profound metaphor for the lived journey. It serves as a bridge along an endless path, reflecting our transient nature. In short, we accept this journey as an infinite road filled with both beauty and challenges, inviting us to celebrate every moment with joy and resilience!

 

The Element Oil on Paper Size 3″ x 4″ year 2018

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Horse Racing, I like to re-create that moment we feel when we watch them speeding, first, by placing the objects next to each other and using geometric shapes together as a plane. Then, build layers to add depth.

HORSE RACING

“The Front Runner” 30″ x 14″ Oil on canvas 2017

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 HORSE RACING PAINTING

The first racetrack started on Long Island in 1665. Although the sport was local for some time, organized racing began after the Civil War in 1868.

Lastly, grooming care and training require long hours. Subsequently, horses are susceptible animals. They have good memories, and they can sense human emotions. Therefore, they share a special bond with their trainee. “In the cross above is an exciting, never-ending experience.” Moreover, my first painting above took me months to finish. From then on, I thought it was over. So, five years later, I did the final touch-ups.

Furthermore, as I developed these subjects, I discovered more. Explore and release creativity; there is so much to learn and add! Likewise, I live this freedom by holding a fraction of my running adrenaline. The color pigments set the tone in time. “Close-ups are attractive and directed to details.”

Indeed, my first impression of studying horses and Jockeys was Edgar Degas. Afterward, he sketched and painted the rider and horses while training. I use sketches and my photos as references to create dynamics. As a result, they allowed me to get them at their power peak. Nevertheless, something the old masters would have been pleased to use. And by the way, the term “Disc Jockey” came from about 1520, “Boy Fellow,” originally a Scottish variant of Jack.

Horse Racing, I like to re-create that moment we feel when we watch them speeding, first, by placing the objects next to each other and using geometric shapes together as a plane. Then, build layers to add depth.

HORSE RACING

“The Front Runner” 30″ x 14″ Oil on canvas 2017

VIDEO LINK

 HORSE RACING PAINTING