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Horse Racing

 

Horse Racing, I like to re-create that moment we feel when we watch them speeding, first, by placing the objects next to each other and using geometric shapes together as a plane. Then, build layers to add depth.

HORSE RACING

Dynamics Impression

“The Front Runner” 30″ x 14″ Oil on canvas 2017

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BRIEF TRAINING

The first racetrack started on Long Island in 1665. Although the sport was a local sport for some time, Organizing racing existed after the Civil War in 1868.
Lastly, grooming care and training require long hours. Subsequently, horses are susceptible animals. They have good memories, and they can sense human emotions. Therefore they share a special bond with their trainee. “In the cross above is an exciting never-ending experience.” Moreover, my first painting, above  Along, took me months to finish. From then on, I thought it was over. So! until, five years later, I did the final touch-ups.

DYNAMICS  IMPRESSION

Furthermore, as I developed these subjects, I discovered more. Explore and release creativity; there is so much to learn and add! Likewise, I live this freedom by holding a fraction of my running adrenaline. The color pigments set the tone in time. “Close-ups are attractive and directed to details.”

Indeed, my first impression of studying horses and Jockeys was Edgar Degas. Afterward, he sketched and painted the rider and horses while training. I use sketches and my photos as references to create dynamics. As a result, they allowed me to get them at their power peak. Nevertheless, something the old masters would have been pleased to use. And by the way, the Disc Jockey term came from about 1520, “Boy Fellow,” originally a Scottish suitable name variant of Jack.

Horse Racing “At The Belmont Race ” 7″ x 17″ Oil On Paper 

This Way, 30″ x 40″ Oil on Canvas 2023

 HORSE RACING PAINTINGS

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Distortions

 

Cycle Distortions relate to concepts, such as life and death. These revolve around spontaneous brushstrokes. Along, I developed this series directed to observation and reflection. In this type of art, I’m not concerned about realism. Neither is representational but more a feeling. However, these concepts contain fast execution. My mind searches to liberate myself from the art rules of reality. Something challenging to abandon, but with awareness, all of these rules are broken here.

The distortion relies upon the message. The emotional feeling about what’s right and wrong. It is so much that we forget to see the whole picture. Just by its execution, Acknowledging and appreciating are essential to understand its meaning. In other words, returning to the beginning is the key to a better appreciation.

The painting below shows numbers relating to the cycle of viability. Everything is said and counted. Furthermore, numbers in astrology have a purpose the moment we are born. Then, later, watch a number that follows us for the rest of our being. Next to us for good or bad luck, it is there. But on the other hand, it is up to us to change and control it.

Further, the painting above visually describes the stages from the beginning. These circular shapes symbolize life movement. Like a newborn in development, our mind never ceases learning and assimilating knowledge. It represents the realization of enjoyment in the cycle. And above all, these are steps in our journey of brevity.  We are just passing through this journey on earth, to recap and make it better, Ultimately, these are recognizable images that we all relate to in one way or another. The difference is showing it in a new light,

Cycle Distortions

“Inner Numbers” 12″ x 9″ Watercolor on paper 2021

“The Beginning” Oil on Paper Size 4″ x 7″

CYCLE DISTORTIONS

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Hope

 
Hope, every culture has ways of taking care of nature further, all in the name of progress.  Incidentally, greed wins most of the time. In addition, some governments do not address the problem deeply enough. Afterward, we do not even think about the causes. As a result, the extinction of many species is on the way to being part of a museum.
On the other hand, we must survive by disposing of and assessing whatever is out there. Nevertheless, “we have to exist, is a fact. But we have to treat our mother earth with respect.” I hope to grow anew. “Where will we stand if the ground is gone.” you can’t reach the heavens without Mother’s earth. A wake-up call to environmental issues. We are experiencing this in our lives. Nature does not have time to heal. In its component, we are extinguishing our resources. There is a simple answer: to take care of our home.
This painting symbolizes the uncaring attitude of humans whose attitude damages nature without considering the consequences. The tree is my objective. Additionally, I combined it with different symbols to create a single object. The Characterization of each tree is playful. Perhaps as hope to all of us. Indeed as reminds to us that there are also kids and elders and we are not alone on this planet.
In the technical aspect, it is necessary to explain how it was made and what materials were used. To attain subjectivity, it is necessary to determine the painting’s looks. First, coat; wet into a wet technique to build texture. Then, along with added color variations on top of it. I created depth in the layers:
To sum up, These image surfaces represent technology—turned into mechanized organic forms. This is the industries around the world and the contamination they are accountable for. Besides, notice that the bottom contains fish bones. Shaped as ornaments. In short as a synonym for being in extinction awareness. 

Hope

“Hope” 24″ x 18″ Watercolor on Paper, 2018
 HOPE
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