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Lighthouse

 

“The Field” 11″ X 22″ Mix Media, 2017

BRIEF HISTORY

In the past, the lighthouse functioned more as an entrance marker to ports. Consequently, then is a warning signal for reefs and promontories. Afterward, mariners found their way through fires built on hilltops.

Likewise, improving visibility, and placing the light on a platform became a practice that led to the development of new technologies, Indeed, it has been going through many changes until industrialization came and took over.

LIGHTHOUSE 

This Subject is located on Fire Island National Shore in Long Island and East Robert Moses State Park. It is impressive to see how the light gleams at sunset; It makes you stare for seconds. Waiting for the following Stella effect to sparse. Like fireworks against the blue sky. Furthermore, we can not escape its surrounding spell. Miles of history are guarding uncover secrets. Afterward, it is thrilling.

While walking the beach, get ready for how suddenly everything changed in seconds. There is a combination of fear and satisfaction. Alternatively, your mind runs wild, thinking of dead souls roaming these beaches. And nature guided us to live with it in peace.

“I assure you every experience would be different. For the sunset, color varies with the year season. Spring, Fall-Winter, and Summer.” The Fresnel lens irradiates waves of mysterious images that leave your mind wandering.

Now a landmark, its beauty inspires fear and passion for loving creating stories. conversely, about love, mystery, or perhaps dead.

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FIRE ISLAND LIGHTHOUSE

"<yoastmark“The Path” 38″ x 29″ Oil on Canvas, 2017

LIGHTHOUSE

 

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The Metamorphosis

The Metamorphosis/development of an object indicates shape fluctuation in art. It allows an artist to transform a shape representing one item into a similar form. Further, it enables, in turn, to show depth. So why not explore both worlds? Afterward, it is part of the same concept in an equal direction.

Moreover, applying the layers is the best bridge for unfolding ideas. For example, the formula is a random image with hundreds of technical possibilities for using colors. From fresh, a la prima, and impasto, It is fascinating. Indeed, what is essential is the value and meaning of a piece. Subsequently, mechanized lines turn over into familiar objects. At some point, the difference relies upon a new texture. The eye flows around the object and feels comfortable watching the metamorphosis. Even if we do not understand it

The metamorphosis above shows a rebirth of ideas. The subject is a scorpion resurging from itself. This arachnid will kill itself rather than be murdered by its opponent. Then, the myth is that it will come alive.

The scorpion recalls a printmaking technique, so I used this approach to recreate its form. Scorpions belong to the arachnid category, for they have eight legs with no antennae or wings. They are found in dry and subtropical areas, everywhere, but not in the cold.

I just recalled living in the suburbs back as a child. My brother and I used to wake up seeing Arachnida walking on the floor. It was wild and scary for the sting, and claws pointed up as ready to battle whoever crossed its path.

In The Metamorphosis, the bridge is about how we adapt and transform ourselves daily, so to speak, such as living in peace with our environment and the people we live with.

Metamorphosis

 

“A Sudden Sting” Oil on paper, size 28″ x 14″ 2019

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METAMORPHOSIS
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Horse Racing

 

Horse Racing, I like to re-create that moment we feel when we watch them speeding, first, by placing the objects next to each other and using geometric shapes together as a plane. Then, build layers to add depth.

HORSE RACING

Dynamics Impression

“The Front Runner” 30″ x 14″ Oil on canvas 2017

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BRIEF TRAINING

The first racetrack started on Long Island in 1665. Although the sport was a local sport for some time, Organizing racing existed after the Civil War in 1868.
Lastly, grooming care and training require long hours. Subsequently, horses are susceptible animals. They have good memories, and they can sense human emotions. Therefore they share a special bond with their trainee. “In the cross above is an exciting never-ending experience.” Moreover, my first painting, above  Along, took me months to finish. From then on, I thought it was over. So! until, five years later, I did the final touch-ups.

DYNAMICS  IMPRESSION

Furthermore, as I developed these subjects, I discovered more. Explore and release creativity; there is so much to learn and add! Likewise, I live this freedom by holding a fraction of my running adrenaline. The color pigments set the tone in time. “Close-ups are attractive and directed to details.”

Indeed, my first impression of studying horses and Jockeys was Edgar Degas. Afterward, he sketched and painted the rider and horses while training. I use sketches and my photos as references to create dynamics. As a result, they allowed me to get them at their power peak. Nevertheless, something the old masters would have been pleased to use. And by the way, the Disc Jockey term came from about 1520, “Boy Fellow,” originally a Scottish suitable name variant of Jack.

Horse Racing “At The Belmont Race ” 7″ x 17″ Oil On Paper 

This Way, 30″ x 40″ Oil on Canvas 2023

 HORSE RACING PAINTINGS