“The Vision” appeals to the psychological relationship between life and death. Moreover, it depicts colorful ghostly figures and bluish-grey death bodies. They are hanging as a reminder of the connection between both worlds. We continue to live as if they did not exist. But many of us who have lost a loved one know that our souls never dissolve into nothingness. On the contrary, our spirits continue to exist.
Symbols on this subject present a narrative story. The first figure in front of us wears an evil mask. The red color is euphoric, temperamental, mad, hungry; you name it. Either is the punisher or the savior. This refers to people who use roundabout words to hurt you later. On the other side, the flag he beholds is waving victory. This translation is about government manipulation and contradictions.
Moreover, The hanged are the victims of their neglected society. On the right side, there is a window with two dark figures. They were gazing at the people in the plaza and perhaps rejoicing in their victory.
I wanted to create a subject between dreams and reality. Therefore, I used blurry colors to depict another dimension. Indeed, we are free spirits, flowing and levitating, searching for an answer. The entrance underneath is the bridge to cross to the other realm. And since our paradox relies upon faith. We know physically that young kids will enter heaven without conditions. But only some of us will get there, following the right path.
Ultimately, the whole scene celebrates the dead as part of our life—the eternity of heaven, which, in the end, culminates in an insatiable encounter between reality and fantasy. And to conclude, in search of a new spiritual well-being feeling.
Thus, the reasoning subject shows two people inside a cave in a thinking position. The fetal position displays a relaxing and calm place.
For some couples, this is it: a withdrawal or disclosure of feelings. Turning the Life clock to amend failures is just a fantasy. We learn from our mistakes, and it makes us strong. It is a stepping stone in the path of life.
Furthermore, this position denotes a strong, independent person. Over and above that, we all have our weak side, which we could fall into easily. The idea is based on experiences called “relationships.” It came out at a point that lasted just a month. And just enough time to produce four paintings.
Moreover, there is a misunderstanding regarding the artist. Some people tend to stereotype us as dark and depressed. Nevertheless, in none of these cases, we all go through different situations where we are vulnerable. In contrast, the disclosure comes in images that release us from unsettled sentiments.
Besides, art has always been there in times of hardship. Indeed, it helps me not drown in my mind. Our thoughts trigger our personality with insecurities that do not let us grow. And we must be strong in finding an answer to overcome it.
Reasoning: in conclusion, a life pursuing knowledge is rewarding. Ultimately, creating this subject is a unique accomplishment to be proud of. Sharing it with my readers feels warm and cozy.
It is essential to explore this different aspect of art differently. The image communicates various parts of a place. Recalls memories so, of say, attract and wake up our imagination. There is much to learn from nature, and the idea is to keep our minds open. There is always something valuable we gain, and that is appreciation.
Looking at my archives, I see that this painting dates back to 1988 and still has a spontaneous moment in execution. Its simplicity inspired me to go back to new approaches. From time to time, the artist gets encased in the whole picture. Not in this case, therefore, is here to remind us of the versatility of its strokes.
Moreover, elaboration is out of the question, perspective omitted, just vague nature. Loose like a kid’s mind. No fragments, no clues, just innocent and pure. A time to project our hopes and dreams. I was looking at old masters’ artwork, such as Rembrandt’s. It reached maturity at an old age. Indeed, he loosened up, no longer restricted by academic rules. His brushstrokes were free and easy. It is understood once the art finds its freedom, it is what we call a style.
The approach that makes us part of this world. The universal voice we carry inside us asks for security to carry on in our everyday lives.
