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Portraying Features

 

Portraying Features: Every person has different character qualities. Their eyes can tell you a whole story. The artist grabs that moment when the soul is at peace or tense. Along with this comes a connection of intimacy shared with their models. Once done in any media, it becomes a memory—a reminder of our kind that may be present with us or gone. Its interest relies on preserving it for a family and eventually becoming a collectible.

Recently, portraits have undergone many changes due to digital camera development. We thank free digitalization and its many applications. It has helped other artists break through the setting banalities, for it does not follow one style and is free to explore in many directions.

So why paint a painting when we have a digital photo? The difference relies on its three-dimensionality. The layers add depth, making us see details we miss in life. We feel as if the person will move from the canvas. Perhaps the artist reflects the person’s soul. Then, it shows the inner feelings within. The human touch alone will not disappear. But it is still a unique medium for every person who beholds only one experience through his eye.

The fascination and engagement come from seeing ourselves in three-dimensional form. And there is the memory of yourself when you were young.

It has been a matter of fascination throughout centuries and now as well. The image reveals some trades in a person’s character. Beginning with their eyes, it makes us speculate about another known person. The mind tends to relate, looking for known positive situations with familiar people. Otherwise, it connects us to their attractiveness for admiration.

In ancient times, Roman busts were successful. Greeks venerated the beauty of their sculptural bodies to celebrate the Olympic games. They linked the mind and the body as one entity. A healthy mind means a healthy body. Enjoy it.Portraying Features

“Portraying Features” size 12″ x 6″ Vine Charcoal on paper

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Pilar Pascual

 

Pilar Pascual, on that day, came dressed and ready to dance. Indeed, pose for us four times every Monday for four hours. As a ticket of appreciation, some students gave her posing drawings.

Above is one of the best pieces about her under the teacher’s request to paint it over Masonite wood. It is a smooth material and works well with brush strokes. But then, in the end, the artist decides what the finish will look like.

The glow within came from another technique based on artificial light. That adeptness has given me new ideas for future techniques I use in landscapes. Everything goes hand in hand; learn anatomy, and you can paint any other object from life.

Moreover, Pilar face is the focal point; the dress is in unison and flows with the rest of her body. Surprisingly, she used to know Vargas, a male dancer friend Who participated [ate with a prominent guitarist called Sabicas.

Moreover, there is something about her subject and the painting. Years have passed, and it feels as if it was painted yesterday.

The oil painting justifies the shades. Its spontaneous quality feels like velvet printed on a plank of aged wood.

We sketched her as a warm-up before the painting, and it would have been better to keep the drawing. Sketches are the best reference for a third study painting in the future.

Also, painting over masonite wood is suitable for achieving a smooth technique. My instructor at the art school suggested using it and gave me tips on how to gesso it—and sand it with the finest sandpaper.

Afterward, the portrait is unique, like the Cante Hondo; it ages like a glass of wine in a barrel as the years pass. Not ready to drink but prepared to be visually digested.

PILAR PASCUAL

Pilar Pascual

“Pilar Pascual” Oil  on Masonite Wood, 24″ X 18 ” 1995

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PILAR PASCUAL

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Showcase

 

Showcase, there is no other word to resume our pet’s name in categorizing, which is “faithful.” Indeed the dog does not hold boundaries to protect us. It will give its life away for us. Clumsy in youth but intelligent and versatile as they age, it sounds familiar, like humans. The only reason they do not talk is that god did not want them to, but they have an emphatical That amazes me.

SHOWCASE


While traveling in Costa Rica, taking pictures of the landmarks. I noticed a dog was sitting pensively and alone. Suddenly out of the blue, a pack of eight dogs walked next to me. I was on the floor on a narrow path. Of course, I got scared and did not move. There was an alpha dog in the front. It just looked at the sitting dog. He pointed it forward with its nose, and the dog followed him.

It is fun to paint animals further, for each has a character. Unfortunately, one died while painting it, but not on my account. The pet’s name is Kelly, and she has a sad face. Remember, a dog lasted twelve to thirteen years, and she could not hold sitting for more than a minute. Sadly but true is like she’s talking to us to put her out of her misery, poor thing.

Although, the portraiture is about three pets as a gift from Jacky to her grandsons. This painting I dedicated this to Kelly. Nevertheless, the subject demands how the piece will look at the end. Then

Lastly, oil media is complicated media to manage and relies on time, because of the layers. Then daytime and nighttime provide a different mood, and finally, to give it a flowing relies upon brushstrokes to recreate its similarity.

showcase

“Shelly and Family” size 12″ x 12″ Oi; on Canvas

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SHOWCASE