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Portraying Features

 

Portraying Features: Every person has different character qualities. Their eyes can tell you a whole story. The artist grabs that moment when the soul is at peace or tense. Along with this comes a connection of intimacy shared with their models. Once done in any media, it becomes a memory—a reminder of our kind that may be present with us or gone. Its interest relies on preserving it for a family and eventually becoming a collectible.

Recently, portraits have undergone many changes due to digital camera development. We thank free digitalization and its many applications. It has helped other artists break through the setting banalities, for it does not follow one style and is free to explore in many directions.

So why paint a painting when we have a digital photo? The difference relies on its three-dimensionality. The layers add depth, making us see details we miss in life. We feel as if the person will move from the canvas. Perhaps the artist reflects the person’s soul. Then, it shows the inner feelings within. The human touch alone will not disappear. But it is still a unique medium for every person who beholds only one experience through his eye.

The fascination and engagement come from seeing ourselves in three-dimensional form. And there is the memory of yourself when you were young.

It has been a matter of fascination throughout centuries and now as well. The image reveals some trades in a person’s character. Beginning with their eyes, it makes us speculate about another known person. The mind tends to relate, looking for known positive situations with familiar people. Otherwise, it connects us to their attractiveness for admiration.

In ancient times, Roman busts were successful. Greeks venerated the beauty of their sculptural bodies to celebrate the Olympic games. They linked the mind and the body as one entity. A healthy mind means a healthy body. Enjoy it.Portraying Features

“Portraying Features” size 12″ x 6″ Vine Charcoal on paper

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Unbound

On the Unbound, we feel the emotions of love. Nonetheless, over time, when it looks like it will be more than just an infatuation, the initial feelings of love change, the water gets more profound, and we will soon be in over our heads.

Placing ideas taken from experience is a revelation that amazes me. The main objective of the unbound is to portray broken relations. The purpose of covering the male with a turban is to show uncertainty. The female is backward to show no emotions.

Unbound in the ocean, the boat, and the sky are used as symbols to create a state of mind.  Good moments of living in harmony have vanished. Our feelings could be our worst enemy but also our best friend.

Painting a subject like this helps me bridge my emotions to a disclosure—a positive revelation that momentarily lapses in our lives until we transition for good. I’m sure we have had the same experience, and I would like to show it to you so you can relate to it or enjoy the view.Unbound

“Unbound” size 30″ x 29″ Oil on canvas, 2001

Writing credited to “Chris Taomina and Gustavo Lucin.

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The Bay

 

The Bay is located on the north shore of Long Island in Huntington, NY. Beautiful place with many subjects to explore.
To begin with, what caught my attention on this subject? Together with it, there were old chairs and decorations on the handrails. And just behind the bay, In the first instance, there was glimmering like a diamond on the water. And the Bay grabbed me into its past and emerged as a dream. In a long not forgotten time. Suddenly I felt familiar and no longer felt alone. I wanted to catch this moment in the sunlight. Then I found stars in sparkling lines. but withal with the visual effect of recreating light within.
Moreover, painting water can be very tedious and thematic. Pattern, combined in layers, and the hues of the color are its core. With persistence and patience, it is approachable. It is exciting to experience sun-changing reflections. Whereas, to understand how it moves, I used zig-zag lines in repetition. Shapes in movement become uncountable. Indeed, the wind commands in which direction should go. What’s more, waves on the bottom, as they move up to the top, they diminish in size. Nonetheless, Every color around this effect has been lower in luminosity.  T
Furthermore, I mixed raw umber with ultramarine and viridian green. The handrail is in the center. Transparent blue enriches the whole panorama. And by mixing it with turpentine and oil. We can see layers behind the others. Additionally, to create a spark effect I lowered back the blue tonality. Then, I let the sunlight go through the other colors. At long last, sitting out there observing this was revitalizing and energetic. And I have just preserved it in this painting for you to enjoy it. Nature and life in its splendor.

The Bay

The Bay, Size 36″ x 90″ Oil on Canvas 2020
THE BAY
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