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Levels

A composition that moves back and forth by its force. Levels explore inverse dynamics within small lines based on musical notes. Our point of departure goes back and forth from crescendo to minuend. In translation, what sound falls into blue is calm; pale yellows are their harmony and its accompaniment as in a symphony. Its visually encased shape creates tensity aesthetically. It does not hurt, and on the contrary, levels with our sight.

In the psychological, it founds an escape. Fuge in music with modules based on traditional notes. Straightforward lines vary in shape and color degrees. So, it provides an opportunity to introduce wave frequency in a mechanical context.

Diamond forms painted between and behind lines are absent in tempo. They are transparent and almost like ghosts, resting silently where music exists. So, our heart beats and leaves an echo in our heads through a muted sound.
The idea was born from a movie scene set in a French elevator. The sunlight reflected wide open through the Deco bars. His dazzling movement waves and enchanted my soul, and the wires moving such a weight were like a heart beating, multiplying one after another, and the result came out in music levels.
Old ideas will be updated in new ways. Then we will be gone, and nature will be here to remind the latest generations of our passage fragility. Either the Lines falling are our upcoming challenge, or our fall is up to us to overcome and keep going, just like in the levels.

Levels

“Levels” 52″ x 48″ Oil on canvas 2019

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LEVELS 

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Lighthouse

 

“The Field” 11″ X 22″ Mix Media, 2017

BRIEF HISTORY

In the past, the lighthouse functioned more as an entrance marker to ports. Consequently, then is a warning signal for reefs and promontories. Afterward, mariners found their way through fires built on hilltops.

Likewise, improving visibility, and placing the light on a platform became a practice that led to the development of new technologies, Indeed, it has been going through many changes until industrialization came and took over.

LIGHTHOUSE 

This Subject is located on Fire Island National Shore in Long Island and East Robert Moses State Park. It is impressive to see how the light gleams at sunset; It makes you stare for seconds. Waiting for the following Stella effect to sparse. Like fireworks against the blue sky. Furthermore, we can not escape its surrounding spell. Miles of history are guarding uncover secrets. Afterward, it is thrilling.

While walking the beach, get ready for how suddenly everything changed in seconds. There is a combination of fear and satisfaction. Alternatively, your mind runs wild, thinking of dead souls roaming these beaches. And nature guided us to live with it in peace.

“I assure you every experience would be different. For the sunset, color varies with the year season. Spring, Fall-Winter, and Summer.” The Fresnel lens irradiates waves of mysterious images that leave your mind wandering.

Now a landmark, its beauty inspires fear and passion for loving creating stories. conversely, about love, mystery, or perhaps dead.

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FIRE ISLAND LIGHTHOUSE

"<yoastmark“The Path” 38″ x 29″ Oil on Canvas, 2017

LIGHTHOUSE

 

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The Metamorphosis

The Metamorphosis/development of an object indicates shape fluctuation in art. It allows an artist to transform a shape representing one item into a similar form. Further, it enables, in turn, to show depth. So why not explore both worlds? Afterward, it is part of the same concept in an equal direction.

Moreover, applying the layers is the best bridge for unfolding ideas. For example, the formula is a random image with hundreds of technical possibilities for using colors. From fresh, a la prima, and impasto, It is fascinating. Indeed, what is essential is the value and meaning of a piece. Subsequently, mechanized lines turn over into familiar objects. At some point, the difference relies upon a new texture. The eye flows around the object and feels comfortable watching the metamorphosis. Even if we do not understand it

The metamorphosis above shows a rebirth of ideas. The subject is a scorpion resurging from itself. This arachnid will kill itself rather than be murdered by its opponent. Then, the myth is that it will come alive.

The scorpion recalls a printmaking technique, so I used this approach to recreate its form. Scorpions belong to the arachnid category, for they have eight legs with no antennae or wings. They are found in dry and subtropical areas, everywhere, but not in the cold.

I just recalled living in the suburbs back as a child. My brother and I used to wake up seeing Arachnida walking on the floor. It was wild and scary for the sting, and claws pointed up as ready to battle whoever crossed its path.

In The Metamorphosis, the bridge is about how we adapt and transform ourselves daily, so to speak, such as living in peace with our environment and the people we live with.

Metamorphosis

 

“A Sudden Sting” Oil on paper, size 28″ x 14″ 2019

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METAMORPHOSIS