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Good and Evil

On the same coin, good and evil come from different experiences. The person is brought to light by crime when the murder of his parent leaves a devastating mark on his young life. The other is forced to pay for his father’s crimes, serving time in prison. This experience made him want to fight the people who sent him there.

The turmoil and social construct of the world influence them, not for good. Governments and corporations utilize media to direct the aimless dance of youth with commercialism and division. Greed and hatred forged by the power-hungry create a societal breakdown infused with resentment and chaos.

However, some join and embrace lie and deception to perpetuate and benefit from the madness and confusion. Others will fight to bring those responsible for their crimes, of which they create a system to allow themselves to operate freely, to a natural justice where the truth reigns supreme.

But we are itching to find out who is behind that mask. Further, curiosity plays with our minds to create mystery. We perceive what they want us to see from them, which is an unclear personality that may not even be real. The painting shows both posing and glazing on the right side, but by their looks, they have found something even more significant than themselves.

It amazes me to see how people change from one moment to the next by being cynical. Seeing them degrade themselves without achieving satisfaction is exhausting. However, at the end of our lives, we take nothing with us, and our bodies will return to the ground.

Good and Evil

“Good and Evil” size 30″ x 30″  2017-23

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Writing credit Chris Taomina

 

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Chaco

 

It is not a Rivera but a Lucin; I have been developing this subject for years. This artwork delves into the universal theme of life’s fragility and the dangers we all face. It is a reflection on the human condition, reminding us of our shared vulnerability. The symbols and anecdotes that inspired this theme are rich and diverse, adding layers of meaning to the piece. The model kneels in a fetal position, portending its next step to free its soul.

A spontaneous subject goes through many ideas to become their own. Back to the concept, the bull, in exhaustion, rests its head down, waiting to stave off Chaco. At that point, the portrayed man without shoes is ready to enter heaven, a traditional symbol of purity. However, despite this, his entity is at risk. The whole scene symbolizes both the fear of the dead and the eagerness of humankind to risk survival. We are very connected to how sensitive and fragile our lives are. The excitement of feeling dead knocking behind our backs makes us feel alive, at least for a second. Hence, respect exists on the other side of us; we are ready to accept our presence. By removing our shoes, we are revering our pureness to enter the holy ground.

Considering feedback from people, some have seen the bull horns as a halo. Finally, others comment that it is evil and accept it as a part of Life.

In conclusion, Chaco encapsulates the quality of vibrant and alive. In this context, leaving behind the mortal realm.  Problems and worries of nature fade into insignificance, a reminder of the transient nature of our existence.

chaco

“Chaco” Size 24″ x 16″ Oil on Canvas 2002

CHACO

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Borders

 

The idea was born from a trip to Montreal, Canada. At the train station, to visit the dome, there were walls full of mosaic art. It casts an afternoon light on the floor, full of orange, yellow, and green tones. Not from the fluorescent light, but the street sidewalk iron bars, which were enchanting. Moreover, the USA flag model came from Jasper Johns, an American painter, sculptor, and printmaking artist. So, transforming images from sources is a recharging process, rooted in the past.

Furthermore, for this reason, Borders is a political statement with many points to consider for its content.  Green represents fertile ground; additionally, the entire forest symbolizes abundance. Underneath the banner, set against a gold background filled with Maya and Aztec symbols, lies ancient history.

In addition, crows are flying into the light, symbolizing the people.
For this reason, unable to cross the wall, some may die of starvation or drowning to find freedom. Thus, not leaving behind the smuggling of drugs in the middle of the needs of the people and the lord drugs creates more problems. Furthermore, if everybody pays for it, deportation is inevitable.
Moreover, the message is now clear. Borders’ depiction represents the wall between the USA, Latin America, and other settlers. Consequently, it generates more income for impresarios in the labor areas. For others, a thread. In conclusion, the government has never ceased to steal, as its selfishness prevents it from seeing the future of its citizens. In short, some people may meet to face their demise on the road to freedom.

borders

“Borders,” size 42″x 59″ Mix Media on Canvas 2021-23

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BORDERS