Tag: Patterns in Art

 

Hope, every culture has ways of taking care of nature further, all in the name of progress.  Incidentally, greed wins most of the time. In addition, some governments do not address the problem deeply enough. Afterward, we do not even think about the causes. As a result, the extinction of many species is on the way to being part of a museum.

On the other hand, we must survive by disposing of and assessing whatever is out there. Nevertheless, “we have to exist, is a fact. But we have to treat our mother earth with respect.” I hope to grow anew. “Where will we stand if the ground is gone.” you can’t reach the heavens without Mother’s earth. A wake-up call to environmental issues. We are experiencing this in our lives. Nature does not have time to heal. In its component, we are extinguishing our resources. There is a simple answer: to take care of our home.

This painting symbolizes the uncaring attitude of humans whose attitude damages nature without considering the consequences. The tree is my objective. Additionally, I combined it with different symbols to create a single object. The Characterization of each tree is playful. Perhaps as hope to all of us. Indeed as reminds to us that there are also kids and elders and we are not alone on this planet.

In the technical aspect, it is necessary to explain how it was made and what materials were used. To attain subjectivity, it is necessary to determine the painting’s looks. First, coat; wet into a wet technique to build texture. Then, along with added color variations on top of it. I created depth in the layers:

To sum up, These image surfaces represent technology—turned into mechanized organic forms. This is the industries around the world and the contamination they are accountable for. Besides, notice that the bottom contains fish bones. Shaped as ornaments. In short as a synonym for being in extinction awareness. 

“Hope” 24″ x 18″ Watercolor on Paper, 2018

 HOPE

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“CITY REFLECTIONS”

Watercolor on bristle paper, 14″ x 17″ 2012

 Documenting these series is direct to actual events and another to visualize a projected image in a cold winter.  

Miles David’s sketches of Spain inspire the title. Further, a masterpiece of jazz came out in 1960. Buildings flowing like a fan recall the wind in the winter. The cadence within the image for New York seems to wave at people, “Hello.”

Documenting Art

The painting above shows one of the challenges of its various cultures. It represents the solid foundation of New York. But as solid as it looks the forms reflect the blue passive moment from a hard day job. As a result, it makes everybody be part of it and create something new, just like his music.

Watercolor is known for being a transparent medium. Also called translucent, it is suitable for constructing forms, shadows, and highlight effects.

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“INTO THE STORM”
WATERCOLOR ON BRISTLE PAPER 14″ x 17″ 2012

Hurricane Sandy hit Long Island very severely. Houses by the front beach flooded with water up to the second floor. Hearing the news announcing the storm was approaching a minute was scary. Then it hit an electric wire, and I stood there, asking for help inside the house. My mother was taking a shower, and suddenly the light went off. We stood without electricity for the cable for a week, and PSG electrical company did not want to move a line before fixing it. Bureaucracy among these companies never fails when one and the other must take charge. Everything came fast, a hardship memory we remember. These are events transformed into paintings. In the first illustration, blue is a calm color, but it is in chaos. They are waving forms in a circle to depict rage. Its dynamic flow over the watercolor paper. In the end, I’m able to blend these two subjectivity movements.

DOCUMENTING ART