Tag: Patterns in Art

Levels, “A composition that moves back and forth by its force.”

This subject explores inverse dynamics within small lines. Furthermore, to enhance the composition.

It moves back and forth to one point where it originated. With this intention to play with our sight.

The idea was born from a movie about a French scene in the elevator. The sunlight reflected wide open through the Deco bars.

It was a sunny afternoon, inspiring me to re-create music with visuals.

Notice the spaces painted in yellow pale. Thus it is the absent tempo. The silent rest in the empty area; where exist music. So, of say, our heartbeats echo in our heads the muted sound.

There are multiple variations of lines shapes and color degrees. So which creates a frequency in a splashing mood?

On the other hand, It feels as if we are looking at a card game. Coming back out in a new light.

Art Deco was first exhibited in 1925 in France, and its father was George Barbier. The influence is still prominent all over the world. 

So much everything is being said and done. Every ten years, they sent us sickness, and we are still here. Either the Lines falling is our upcoming or our fall. 

Old ideas will update in new ways. Then we will be gone, and nature will be here to remind the new generations of our passage fragility. PROPORTION

Does this painting consider Art Deco? And my answer is yes, but in the texture. Moreover, it has been digested and brought up in a new idea related to music. Many other artists have done it? As I mentioned before, we artists take things and renew them in a new light, Have fun.

“Levels” 52″ x 48″ Oil on canvas 2019

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LEVELS 

Hope, every culture has ways of taking care of nature further, all in the name of progress.  Incidentally, greed wins most of the time. In addition, some governments do not address the problem deeply enough. Afterward, we do not even think about the causes. As a result, the extinction of many species is on the way to being part of a museum.

On the other hand, we must survive by disposing of and assessing whatever is out there. Nevertheless, “we have to exist, is a fact. But we have to treat our mother earth with respect.” I hope to grow anew. “Where will we stand if the ground is gone.” you can’t reach the heavens without Mother’s earth. A wake-up call to environmental issues. We are experiencing this in our lives. Nature does not have time to heal. In its component, we are extinguishing our resources. There is a simple answer: to take care of our home.

This painting symbolizes the uncaring attitude of humans whose attitude damages nature without considering the consequences. The tree is my objective. Additionally, I combined it with different symbols to create a single object. The Characterization of each tree is playful. Perhaps as hope to all of us. Indeed as reminds to us that there are also kids and elders and we are not alone on this planet.

In the technical aspect, it is necessary to explain how it was made and what materials were used. To attain subjectivity, it is necessary to determine the painting’s looks. First, coat; wet into a wet technique to build texture. Then, along with added color variations on top of it. I created depth in the layers:

To sum up, These image surfaces represent technology—turned into mechanized organic forms. This is the industries around the world and the contamination they are accountable for. Besides, notice that the bottom contains fish bones. Shaped as ornaments. In short as a synonym for being in extinction awareness. 

“Hope” 24″ x 18″ Watercolor on Paper, 2018

 HOPE

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“CITY REFLECTIONS”

Watercolor on bristle paper, 14″ x 17″ 2012

 Documenting these series is direct to actual events and another to visualize a projected image in a cold winter.  

Miles David’s sketches of Spain inspire the title. Further, a masterpiece of jazz came out in 1960. Buildings flowing like a fan recall the wind in the winter. The cadence within the image for New York seems to wave at people, “Hello.”

Documenting Art

The painting above shows one of the challenges of its various cultures. It represents the solid foundation of New York. But as solid as it looks the forms reflect the blue passive moment from a hard day job. As a result, it makes everybody be part of it and create something new, just like his music.

Watercolor is known for being a transparent medium. Also called translucent, it is suitable for constructing forms, shadows, and highlight effects.

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“INTO THE STORM”
WATERCOLOR ON BRISTLE PAPER 14″ x 17″ 2012

Hurricane Sandy hit Long Island very severely. Houses by the front beach flooded with water up to the second floor. Hearing the news announcing the storm was approaching a minute was scary. Then it hit an electric wire, and I stood there, asking for help inside the house. My mother was taking a shower, and suddenly the light went off. We stood without electricity for the cable for a week, and PSG electrical company did not want to move a line before fixing it. Bureaucracy among these companies never fails when one and the other must take charge. Everything came fast, a hardship memory we remember. These are events transformed into paintings. In the first illustration, blue is a calm color, but it is in chaos. They are waving forms in a circle to depict rage. Its dynamic flow over the watercolor paper. In the end, I’m able to blend these two subjectivity movements.

DOCUMENTING ART