DYNAMICS

DYNAMICS
RACING
Dynamics is the action of the objects within the image
For it flows smoothly from one area of the composition to another,
consequently guided by continuations of line or form, and by gradations of color.
To sum up, it is precisely the action within the racing horses I followed.
Likewise, arranging geometric shapes together and blending them.

I re-create that moment of adrenaline we feel when we watch them speeding.
DYNAMICS ORIENTATION AND TRUST
Hours of grooming care and training require long hours.
Subsequently, The trainee understands horses are susceptibles animals
They have good memories, and they can sense human emotions.
JOCKEYS PERSISTENCE
Above all, the jockeys themselves is a whole art in its own,
For example, their customs and pose are elegant.
Firstly, many Jockeys serve as exercise riders.
Secondly, galloping horses in the morning and, if possible late afternoon.
Furthermore, all build a mutual union of horse and jockey that creates trust.

DYNAMIC HORSE RACING


AN ART IN ITS OWN
Moreover, my first painting about Horses and Jockeys called
“The Front Runner.” to finish, it took me an entire month.
And five years later, I did the final touch-ups.
DYNAMICS
THE FRONT RUNNER
Similarly, in the second painting, I decided to call it “Jockey and Horses.” Which, I also experimented with speed.
JOCKEY AND HORSES

SEARCH AND DISCOVER DYNAMICS

Also, I have discovered close-ups being attractive and directed to details.
That is to say, The more I explore, the more I find.
Furthermore, as I developed these subjects, I began to understand the artist’s misconception as being encased in one object.
In other words, it limits the mind and kills creativity.

But as I keep painting, my subjects as a whole tend to follow dynamic objects. That is to say. It is my nature to live that moment of youth that is gone.

To clarify, along with the freedom of habitat where I grew free.

In short, I live the freedom moment in frozen time inside these subjects.

DYNAMICS IMPRESSION

Indeed, my first impression of studying horses and Jockeys came from Edgar Degas.

He concentrated sketching and painting on the rider and horses while in training.
Moreover, I use my photos and sketches as references;

As a result, they allow me to freeze images in movement and capture them in action.

In short, something those old masters would have been pleased to use, I’m sure about it.

WORD ETYMOLOGY FOR JOCKEY

NOT TO CONFUSE THE DISC JOCKEY FROM THE RADIOS, 

THE FIRST TERM WAS IN 1520, “BOY FELLOW,” 

ORIGINALLY A SCOTTISH PROPER NAME, VARIANT OF JACK. 

THE MEANING “PERSON WHO RIDES HORSES IN RACES” 

FIRST ATTESTED IN the 1660s.
DYNAMICS
RACING HORSES

DYNAMICS

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