DYNAMICS MOVEMENT

JOCKEY MOVEMENT

racing
DYNAMICS

In the first place, is the action of the objects within the image

DYNAMICS MOVEMENTS


For it flows smoothly from one area of the composition to another,

Subsequently, guided by continuations of line or form, and by gradations of color

To sum up, it is precisely the action within the streak horses I followed.


Likewise, arranging geometric shapes together and blending them.


I like to re-create that moment of adrenaline we feel when we watch them speeding.

DYNAMICS ORIENTATION AND TRUST

Lastly, hours of grooming care and training require long hours.


Subsequently, The trainee understands horses are susceptibles animals


They have good memories, and they can sense human emotions.

DYNAMICS MOVEMENT

JOCKEYS PERSISTENCE

Above all, the jockeys themselves is a whole art in its own,
For example, their customs and pose are elegant. which, excels them from any other animal.


Secondly, galloping horses in the morning and, if possible late afternoon.


Furthermore, all build a mutual union of horse and jockey that creates trust.

DYNAMICS MOVEMENT

Moreover, my first painting about Horses and Jockeys called “The Front Runner.”

Took me an entire month to finish it. So, I thought so! until, five years later, I did the final touch-ups.

race movement
DYNAMICS

Contrary, to the second painting, was painted in one week. Then I never had to touch it up.

“Jockey and Horses, the speeding action in colors and tonality is much loose in contrast to the first paint above.

Horses
DYNAMICS MOVEMENTS

Also, I have discovered close-ups being attractive and directed to details.

That is to say, The more I explore, the more I find.

Furthermore, as I developed these subjects, I began to understand the artist’s misconception as being encased in one object.

But as I keep painting, my subjects as a whole tend to follow dynamic objects.

That is to say. It is my nature to live that moment of youth that is gone.

To clarify, along with the freedom of habitat where I grew free to explore.

In short, I live the freedom moment in frozen time inside these subjects.

paint
DYNAMICS

DYNAMICS IMPRESSION LEARNINGS

Indeed, my first impression of studying horses and Jockeys came from Edgar Degas.

Afterward, he concentrated on sketching and painting on the rider and horses while in training.


Moreover, I use my photos and sketches as references;

As a result, they allow me to freeze images in movement and capture them in action.

In short, something those old masters would have been pleased to use, I’m sure about it.

WORD ETYMOLOGY FOR JOCKEY

NOT TO CONFUSE THE DISC JOCKEY

MOVEMENT

FROM THE RADIOS, AT FIRST, THE TERM WAS NAMED IN 1520, “BOY FELLOW,” 

ORIGINALLY A SCOTTISH PROPER NAME, VARIANT OF JACK. 

THE MEANING “PERSON WHO CHARGE HORSES IN RACES” 

FIRST ATTESTED IN the 1660s.
MOVEMENT

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